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Hollywood Reviews... Mongol |
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Mongol is a stunning and breathtakingly epic movie,
reminiscent of great filmmakers such as David Lean. The legend of Genghis Khan
brought to the screen with the kind of majestic scope it deserves.
Story
From Russian filmmaker Sergei Bodrov, Mongol tries to correct the story of
Genghis Khan as presented in previous Hollywood disasters like The Conqueror and
Genghis Khan. This fascinating look at Khan’s early years begins with his birth
as Temudgin in 1162. The story methodically follows him from his harrowing and
dangerous childhood all the way to the infamous battles that defined him.
Bodrov’s portrait is also a love story, covering Khan’s family life and marriage
to Borte, the only woman who truly understood him and knew what he could become.
One of the film’s most successful sequences involves the abduction of Borte.
Temudgin’s desperate and ultimately brave rescue is a spectacular action
sequence in which he penetrates the enemies’ camp with thousands of horsemen.
Eventually, he is set on a path to seal his destiny against his own blood
brother, Jamukha. It’s a conflict that results in Temudgin’s slavery but
eventual freedom to become Genghis Khan--the man who conquered more territory
than any other warrior.
Acting
Cast not with an eye for stars, this telling of the Genghis Khan story has
credibility going for it. Previous Hollywood versions have made the mistake of
bringing in known actors such as Omar Sharif to play the role--and most
notoriously, John Wayne famously butchered interpretation of Khan in 1956’s The
Conqueror. But in Mongol, after a worldwide search, Bodrov smartly cast Japanese
actor Tadanobu Asano as the adult Temudgin, who makes Khan his own. As his blood
brother Jamukha, Chinese actor Honglei Sun acquits himself well, while
inspiration of inspirations, a real Mongolian actress named Khulan Chuluun makes
for a beautiful and forceful Borte. The international flavor of the cast oddly
seems to actually add authenticity to the production when logic would say
otherwise. Perhaps that is the ultimate tribute to director Bodrov.
Direction
Sergei Bodrov is a powerhouse director. His previous films--including the
acclaimed Prisoner of the Mountains and Nomad--do not prepare us for the
breathtaking splendor and scope of Mongol. This is absolutely the kind of
sweeping epic we might have expected from David Lean in his Lawrence of Arabia
heyday. Even though the director did employ some CGI tricks for the massive
battle scenes, the mix of technology and humanity is flawless. Key to his
success is the human dimension of a larger-than-life story that keeps us
involved with characters who are truly heroic and the stuff of mythology.
Special mention should go to the magnificent cinematography of Sergey Trofimov
and Rogier Stoffers, on a par with anything seen on the widescreen in many
years. Tuomas Kantelinen’s inventive score is another plus for the impressive
film.
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